- Count View : 329
- آدرس کوتاه شده مقاله: https://bahareadab.com/article_id/1117
- کد doi مقاله: Doi: 10.22034/bahareadab.2021 .14 .4869
Journal of the stylistic of Persian poem and prose
volume Number 14،
number In Volume 5،
،
issue Number 63
Stylistics of mir Ābed sayyedāye nasafi's sonnets
Hamid Taheri , Peyman Mansoori (Author in Charge)
Abstract
BACKGROUND AND OBJECTIVES: stylistics of a work of art is an important step to recognize it. So its importance is not hidden for anybody. sayyedāye nasafi is one of illustrious poets in Hindi style in 11th century (17th ce) who grew up in Tajikistan. but his sonnets not yet reviewed from the stylistics perspective. Therefore, we decided to review his sonnets based on stylistics and introduce readers with different angles of his poetry and artistic personality.
METHODOLOGY: In this study the type of our stylistics approach is structural stylistics. Based on that, we have paid to all three linguistics, rhetorical and mental areas in 30 designees of sayyedā sonnets in the form of detailed review and analysis.
FINDINGS: Some of linguistic characteristics in his sonnets is that alliteration and repeat have the largest share in creating inner music. concrete nouns are three and half times more than abstract nouns. Persian nouns are two times more than Arabic nouns which is the characteristic of the Hindi style. Simple verbs also are five times more than composite verbs and he rarely uses prefix verbs. In this way, some of the grammatical elements in his poetry are also aesthetically intentions. In the field of rhetoric most frequencies belong to tangible and objective simulations. In the realm of metaphor, personification has the highest frequency. Among the imageries, symmetry and allegory has the highest frequency. Meanwhile, for each one of the rhetorical and lingual parts, frequently diagrams have been presented.
CONCLUSION: The frequency of concrete nouns implies the poet wants to change reasonable things to tangible things. The use of negative, high frequency desperation verbs indicates a sad and distressing situation of the sayyedā. The frequency of simple sentences has given more speed and excitement in his style. He is a warrior poet. he was lovable and influential in his time.
Keyword
structural stylistics
, sonnets
, sayyedāye nasafi
, Hindi style
, characteristics of linguistics
, rhetorical and mental.
- Bateni, m. (1969). Description of grammatical structure of Persian language. Tehran: Amirkabir, p. 60.
- Fotouhi, m. (2012). stylistics. Tehran: Sokhan, p. 48, 93, 243, 275.
- Homaei, j. (1984). Technics of rhetoric literary industries. Two volumes in one book. Tehran: Toos, p. 42.250-262.
- Molla ahmedov, m. (2001). remember the kind friend: history of Tajikistan literature. With introduction of iraj afshar. Tehran: Toos, p 233.
- Rahbary. H. (1997). Sayyedaye nasafi an unknown poet in the area of Persian literature. Ettelaat newspaper. No.
- 21166. P 6.
- Rahbary. H. (1997). Sayyedaye nasafi an unknown poet in the area of Persian literature. Ettelaat newspaper. No.
- 21172. P 6.
- Sayyedaye nasafi, m. (2003). Divan: book of poems. With correction and explanation of Hassan rahbary. Tehran: Alhoda, pp 156- 368.
- Sayyedaye nasafi, m. (1990). Generalities of poems.
- Corrected by jabolghadad alishaov. Tajikistan; Dushanbe: Danesh publishers.
- Samarghandi, m. biography of mazaker-ol-ashab. Save eastern handwritings of science academy of Tajikistan. Tajikistan: Dushanbe.
- Shafiei kadkani, m. (1971). Imaginary techniques in persian poem. Tehran: Nil, p 53.
- Shafiei kadkani, m. et. Al. (2001). History of Iranian literature from the beginning to today. Translated by Jacob azhand. 1st ed. Tehran: Gostareh, pp 428- 430.
- Shafiei kadkani, m. (1987). The poet of mirrors. Tehran: Agah, p 63.
- Shamisa, s. (2008). Eloquence. 3rd ed. Tehran: Mitra, pp 106- 117. 162- 174.
- Shamisa, s. (1993). Generalities of stylistics. Tehran: Ferdows, p 156 & 157.
- Shamisa, s. (2007). Rhetoric: rhetorical imagery. Tehran: Mitra, pp 23- 74.
- Shamisa, s. (1996). Stylistics of poem. Tehran: Payame noor university publishers, p 197.